The origins of EXIF Data

It Can Help Improve Your Technical Skills

In some ways, I’m a hoarder.

I have lots of “stuff” from my youth and earlier years stored away in boxes in the basement. The other day I was trying to locate an older photograph so was digging through a few cartons. I didn’t locate the photo, but I had another interesting find – this Memorandum.

Users of early model “Kodaks” – as the early cameras were called – were encouraged to record their exposure data for each photograph in this small booklet.

Part of the booklet contains detailed guidelines for determining the proper exposure.

In particular there are the STOPS – today we refer to these as the aperture and the TIME – the shutter speed.

Depending on the lighting conditions and by following these guidelines, the photographer would be able to produce an acceptable photograph with the Kodak.

In the other pages of the the booklet, the photographer was to record the exact conditions and settings for each of the 100 exposures.
Take a look at the date!

Yes, this booklet was published in the late 1800’s (click to enlarge the illustration). Might I suggest that this booklet is a predecessor to today’s EXIF metadata. Why was it so important to record the exposure data? In short – to minimize the cost of photography.

…introduced in 1888 (No.2 Kodak) which had a built-in 100-exposure paper roll film costing $25, a huge amount. The box camera had to be sent back to the factory once all the exposures had been used. The customers got their cameras back with new film roll loaded into it, and the image prints.

Historical information from Wikia

Back then, each photograph cost a very expensive 25 cents. So it was wise for the photographer to carefully review the prints and corresponding exposure information to improve subsequent photographs.

Today, the cost for an in-camera photograph is virtually free. But we can still improve our photography by reviewing the exif data – the information that is automatically recorded with each captured image.

Most image editing software shows the exif data alongside the photograph. As a quick example, below you can see that the young child on the right is slightly out of focus. The exif data tells me that image was captured using an aperture of f/4.0. For the follow up photo, to insure that both children are in focus, I should use a smaller aperture e.g. f/5.6.

I frequently take this cue from the pioneer photographers of the 19th century and wisely use this metadata to improve my photography.

I’ll have more examples in a future article.

 

Written by Arnie Lee

 


 

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Upcoming Reviews

I made it a point to attend several trade shows recently – Photokina in Cologne (September), PhotoPlus in NYC (October) and CES in Las Vegas (January). I spent a lot of time walking up and down the aisles at the shows and was able to get hands-on demos of many new pieces of photo equipment and accessories.

Several readers have asked about our plans for reviews of some of these items, so I thought I’d drop a few lines to let you know that we’ve already started reviewing the following items and are putting them through the paces. Additionally, we’ve added another tablet computer to our inventory and are just now logging a few dozen hours studying how it might come in handy for photographers.

Color Nook – this is the new color version of Barnes & Noble’s earlier black and white e-book reader. The display makes it great for reading ebooks that include full-color illustrations and photographs.
Eye-Fi – this innovative wireless SD card is not new, but the improved software has many new features for automatically sharing your photos with other sites.
Samsung Galaxy Tab – this recently introduced tablet computer is aiming to grab some of the would-be iPad enthusiasts. It’s more compact than the iPad and sports a few nice features.
Sony Alpha 55 – this new DSLR has a slew of innovative features. Demoing it at the PhotoPlus Show, I felt that is a groundbreaker. Others must have felt that way too; it was on backorder for six week.
Sony SnapLab – not everyone needs the power or speed of this medium volume printer. But having a SnapLab gives you a very convenient way to get prints directly from your digital media or bluetooth mobile device.

Stay tuned. The reviews are in progress.

Written by Arnie Lee

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Do you trust your monitor?

Color Calibration with the Pantone Huey Pro

As photographers, we spend an extraordinary amount of time fretting over color. We carefully tweak the camera settings and adjust the white balance, ISO, raw quality, exposure, noise level and sharpness to produce magnificent color in the captured image. Afterwards, we transfer the digital film to our computerized darkroom for further processing with a goal of reproducing the colors as true to life as possible.

So why are we surprised (read: disappointed) when a prized photo looks so different from our mind’s eye view of the original scene? After all, haven’t we set the camera for the best color?

The reason may well be that the true color of the photo has been inexplicably changed by the computer monitor.
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