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Fisheye On The Cheap

14th March 2021

A few years ago I upgraded from a Sony NEX7 to the newer Alpha 6000.

The A6000 became my everyday walk around camera. But I didn’t want to let the NEX7 collect dust, nor did I want to spend a lot more investing in more glass.

The one drawback is that this lens is manual aperture control and manual focus but I decided that I could live with these limitations.


 

So I started looking for an inexpensive lens. My preference was to go wide so I did a little looking around and found an affordable 8mm fisheye. I’m a fan of the way the images are elegantly distorted by lens’ curvature. The lens adds lots of interest to common everyday scenery and subjects.

The lens I chose is the 8mm Rokinon fisheye for about $300.

When the 8mm lens is coupled on the camera’s APS-C sensor it is equivalent to a 12mm full frame lens.

To use the lens, I set the camera to Auto ISO and using the manual exposure mode (M) rotate the aperture ring on the lens to a specific aperture (f/stop) and dial the shutter speed until the exposure indicator is centered.


Measuring about 3″ long and weighing just a few ounces, it is miniscule compared to the two other DSLR fisheyes in my equipment stable. The Rokinon 8mm has a well-marked aperture ring, smooth focus ring, a small built-in sunshade and lens cap that total covers the outer lens surface. I am very happy that when mounted, my fisheye camera is very compact and easy to carry.

 

The important question is how does this inexpensive fisheye perform?

I’ve taken hundreds of photos with the 8mm. I’ve found that the images are tack sharp. The resolution of the NEX-7 is 24MP and with this lens I’ve made several 16″ x 20″ enlargements including three below.


roaming through the cypress groves in the Everglades

amazed at the super bloom in Death Valley

viewing part of Mammoth Hot Spring in Yellowstone

a very wide view of the front porch on our house

The compact size of this camera/lens combination makes it a great way to have a tag along camera and use it for the wide views without having to change lenses.

For many excursions, I carrythree cameras: this fisheye combo, a second with a long lens telephoto (80-400mm) for wildlife and a third with a medium zoom (24mm to 200mm) – all without breaking my back with the weight. In the case of the 8mm fisheye lens, I have a winner at a very decent price.

Having done a little looking around, I know that there are other inexpensive fisheye lenses available for all of the major brand cameras. If you too like the interesting effects that the come from the ultra curved lens surface you’ll be able to find a fisheye to add to your camera bag.

What a View

27th August 2014

Wide Angle to the Extreme

It’s eye-catching when I see a photo that “bends” the horizon.

This bend comes from the camera’s lens. Use a very wide angle lens and you’ll see the curved “barrel” distortion on the images. One well-known type of wide angle lenses is the fisheye. These lenses typically have a field of view approaching 180 degrees – allowing you to capture the entire scene in front of the camera.

Until recently, fisheye lenses were expensive. I have one that cost well over $1500. But when I was looking for an ultra-wide angle for my Sony equipment, I found an inexpensive lens made by Rokinon. With its $300 price tag, I was a little skeptical of the quality of images from such a low cost lens but decided to try it regardless.

Here’s a short gallery of some of the scenes that I captured during my first outing with the lens a few weeks ago.
 
 



This is an 8mm f/2.8 fisheye. I wanted an ultra-wide angle for an extra Sony Nex7 mirrorless camera.

The Nex7 is very compact and lightweight. The Rokinon 8mm fisheye is also surprisingly compact.


The Sony Nex7/Rokinon 8mm setup is only about 1/3 the size of my Canon 6D with a Canon 8-15mm fisheye – a true space and weight saver.

One of the first images that I recorded with the new lens was in the Tetons. I especially like the curved horizon.



Here in Yellowstone you can see that the bridge rail curves upwards. The lens does not support the camera’s autofocus feature.

However an 8mm lens has a very wide depth of field which makes focusing less critical as you can see in this image taken at Mono Lake.



At Grand Canyon, the bend in the horizon is amazingly scenic. The lens does not support autoexposure so I set the camera shooting mode to manual, set the lens aperture to f/8 and adjusted to the proper shutter speed.


In both of these photos, you can see that the exposure for both a shaded and sunny scene were correct. Neither the manual focus nor the manual exposure requirements of this lens is a concern.



At Monument Valley I took advantage of the lens’ extreme wide view. Here I was able to take in a 180-degree view to photograph this huge monument within a single image.


The fisheye excels for those of you who like shooting portraits that include the vast surroundings.



At Mesa Verde, we encountered another “tight squeeze”. However, we were able to capture this with the lens’ wide view.


In Rocky Mountain National Park, the lens took in not only the winter’s left over snow but the billowing overhead July clouds.

What about the sharpness?

Here I’ve enlarged a small section of one of the above images. You can clearly see the detail in the face, the lettering of the cap and the tufa formations in the background.

I found the sharpness of this inexpensive lens to be very acceptable.


After my short time with this lens, I am no longer skeptical of it’s quality. The images are tack sharp with very good color reproduction. If you’re on the lookout for an ultra-wide, include this lens in your search.

The Rokinon 8mm f/2.8 fisheye is also available for other camera models as well: Fuji, Samsung and Canon M mount. Other similar versions with a maximum f/3.5 aperture are available for Canon, Nikon, Sony A mount, Pentax and Olympus 4/3.
 
 
Written by: Arnie Lee
 
 


 
 
 
 

About this Photo – Bison

20th November 2013

A Single Photo is Just a Split Second in Time

This article is the another in a series of articles that I’ve called “About this photo” to draw attention to a few of those memorable photos that may be hiding in a shoebox or on your hard drive.

A few weeks ago I traveled to Yellowstone to view the wildlife and scenery before the cold and snow arrived. Unfortunately, I chose to visit at the same time that our government decided to shutdown the National Parks.

The scene went something like this: As I passed through the north gate at Gardiner, MT at 7:30am on October 1st, the park ranger informed me that Yellowstone would be closing at 8:00am, just about 30 minutes from now. Having just entered the park, I was temporarily elated to think I’d have the entire place to myself.

 

 

My plan was to drive southward to Norris for some hiking in this amazing geyser basin.

As I approached Nymph Lake, I was awed by a lone bison foraging near a mountainside of steaming fumaroles.

I immediately pulled off the road onto the shoulder and grabbed my camera. Here’s the shot.

But my stop off here didn’t quite end after taking this photo as you’ll soon see.

Bison at the Fumaroles

 


 

In the above photo, the bison was standing about 150 yards away across the main highway.

As I stood next to my car, the bison slowly troded towards the area in which I was standing. You can see the asphalt in the foreground.

The bison didn’t stop there, he kept coming towards me. I always adhere to the “wildlife ethic” of not approaching animals, but this was the reverse situation.


 

From the above photograph you can’t tell that there were already six or seven other autos parked on the shoulder.

These visitors had already spotted the bison and were admiring the dramatic view.

Little did we all know that the bison wanted to admire our autos. She strode right over while all of us wisely gave her plenty of room to wander.


 

She remained just feet from me for several minutes.

So as not to disturb her, I stood very still and captured her portrait. I shot over the hood of my auto to keep some distance between the two of us.


 

As it turns out, this bison was the mother waiting for her calf. The calf was also across the road, but out of sight. He came hobbling over to mom a few minutes later.

When they were reunited, they walked off along the tree lined path. The calf had a very visible injury to its rear leg.

Here’s hoping that he’ll make it through the winter.


 
After I lost sight of the pair of bisons, I hopped back in the car and continued driving southward. Little did I know that most of the viewing areas and parking in Yellowstone would be barricaded with orange cones including the Norris Geyser Basin due to the government shutdown. There went my hiking plans.

Was I disappointed? Yes, but not depressed. Having stopped at this and several other roadside areas in the park was still exciting and exhilarating both emotionally and visually.

The single photograph “Bison at the Fumaroles” is but a split second during my visit to Yellowstone. Along with the other photos, these five split seconds actually add up to much more than the fifteen actual minutes that I spent near Nymph Lake.

I don’t think I can put a number on the amount of enjoyment this stop off brought me during this visit to one of my favorite places.

 

 
Written by: Arnie Lee

 

 


 

 

 

 

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